Blog

Cultures of Conservation Events 2015-2016

Posted by sumolsen
23 Oct 2015 04:39

The following evening panels, lunchtime talks, and lectures will be convened this school year under the auspices of “Cultures of Conservation,” a five-year curricular initiative funded by the Andrew W. Mellon Foundation. Each event title links to more information about the event on the Bard Graduate Center website.

read more...


Comments: 0
Tags:


AIC & CAC-ACCR 2016 Joint Annual Meeting & Conference: Call for Papers

Posted by sumolsen
08 Sep 2015 19:44

The theme for AIC's 44th Annual Meeting, held jointly with the 42nd Annual CAC-ACCR Conference, in Montreal, Canada, May 13-17, 2016, will be “Emergency! Preparing for Disasters and Confronting the Unexpected in Conservation.”

read more...


Comments: 0
Tags:


Extreme Conservation Symposium Guest Post: Petra Lange-Berndt

Posted by sumolsen
26 Apr 2015 17:57

Petra%20Lange-Berndt.jpg

Following our "Extreme Conservation Symposium" (convened March 20, 2015), we asked each presenter to share one idea from his or her presentation in short form on this blog. We are grateful for this opportunity to continue thinking through their groundbreaking work.


This talk focused on the installation Little Savages by artist Tessa Farmer, exhibited at the Natural History Museum, London, in 2007. A taxidermied fox, other natural materials, and tiny malevolent fairies made by the artist out of insect and plant material, create narratives concerning ecology. The materials used by Farmer lead us to reflect upon the history of taxidermy, its impact on fashion and its position as a domestic handicraft. Farmer, a vegetarian, is using references to taxidermy, fairies, and social insects in order to question the authority of the institution in which she is exhibiting. She is not creating a nostalgic vision of craft. Instead, her work represents an alliance between handicraft and recent technologies in the age of the Internet. Natural materials and electronic mass media are interrelated in Farmer’s work, driven by curiosity about the material at hand, be it tangible or ephemeral. The audience is reminded that neither materials nor nature can be frozen and preserved for eternity, but instead are subject to processes of decay, death, and evolution.

read more...


Comments: 0
Tags:


Donald Judd's Lofty Installation at 101 Spring Street: Specific Objects, Specific Conservation

Posted by Hanna Hoelling
21 Apr 2015 12:17

Ext101SpringStJWHR_8967_v3b.jpeg

By Cabelle Ahn
“My requirements were that the building be useful for living and working and more importantly, more definitely, be a space in which to install work of mine and of others. At first, I thought the building large, but now I think it small; it didn't hold much work after all.” Donald Judd, “101 Spring St.” 1989

read more...


Comments: 0
Tags:


Extreme Conservation Symposium Guest Post: Stephen Rustow

Posted by sumolsen
16 Apr 2015 22:06

Stephen%20Rustow.jpg

Following our "Extreme Conservation Symposium" (convened March 20, 2015), we asked each presenter to share one idea from his or her presentation in short form on this blog. We are grateful for this opportunity to continue thinking through their groundbreaking work.


If the art museum’s fundamental mission is acquisition, conservation and display, then it is no surprise that continual expansion has become the norm for collecting institutions around the world. Faced with constant rebuilding, the changing status of the museum’s original structure provokes the question of what responsibility museums have to make their own architecture the object of conservation. And this question goes hand in hand with another: how should museums curate the presentation of their architecture and its transformations over time?

read more...


Comments: 0
Tags: