ude.drab.cgb|aveyvolos.arev#aveyvoloS .A areV

Andrew W. Mellon Fellow, Cultures of Conservation
Ph.D. George Mason University (expected)
B.S. Yakut State University

Vera A. Solovyeva’s research focuses on how indigenous northern peoples preserve and develop their cultures and traditions in a contemporary world that is rapidly changing under the pressure of factors such as globalization and climate change. For example, climate change affects one of the most important components of traditional knowledge - the traditional economic calendar with which hunters and fishermen determine when and where they can start hunting, fishing, and collecting food and medicinal plants. How do northern people respond to this impact? What are the cultural values and factors that could help them in adapting to these changing conditions?

Another aspect of Solovyeva’s interests is an engagement in the process of recovering lost knowledge, traditions, and rituals by indigenous people through the study of museum collections, such as the Siberian collections that were collected during the Jesup North Pacific Expedition and are now kept in the American Museum of Natural History. Thus, traditional craftsmen from the Sakha Republic (Russian Federation) came to America in 2012 and 2014 to study the techniques of making different historical artifacts stored in the AMNH. In addition, Native Americans from the Pomo and Kashaya tribes (USA) went to Saint Petersburg (Russia) in 2014 to study their traditional baskets in the Peter the Great Museum Kunstkamera. Through this work, Indigenous peoples are not only revitalizing their knowledge, but also trying to restore the links between current and future generations and their ancestors that actually made these artifacts. These endeavors are of major importance for their self-identity and continuity, as they consider themselves a nation in the making.

ude.drab.cgb|us.einahpets#uS einahpetS

Andrew W. Mellon Postdoctoral Fellow, Cultures of Conservation
Ph.D. University of Chicago
M.A. National Central University, Taiwan
B.A. National Chiao Tung University, Taiwan

Stephanie Su’s long-term research goal is to reconstruct a more interconnected, more globalized history of East Asian art by exploring the transmission of ideas, objects, styles and motifs across East Asia and beyond. Her dissertation focuses on the transcultural relationship between China and Japan in the early 20th century through the study of history painting on Chinese subjects in the mode of French academic art. She argues that China was not simply a passive subject to be appropriated by Japan. Instead, ideas, concepts and images flew multi-directionally between China and Japan even when their power relationship was imbalanced. At the Bard Graduate Center, she will be working on a joint project with the Metropolitan Museum of Art on the use of synthetic dyes in late nineteenth century Japanese woodblock prints and textiles. Bringing together an interdisciplinary approach to art, science and history, this project seeks to renew our understandings of changing artistic expressions and consumer tastes by examining the material substance and cultural meanings of colors along with the ever-expanding global trade network.

ude.drab.cgb|gnilloh.annah#gnilleoH annaH

Former Andrew W. Mellon Visiting Professor, Cultures of Conservation
Ph.D. Institute of Art History and Cultural Studies, University of Amsterdam
M.A. Academy of Fine Arts Warsaw

What specific kinds of change does a multimedia artwork undergo, and how does it maintain its identity through those changes? Due to their cycles of rematerialisations, obsolescence, issues of de- and re-activation and dependence on the archive, these works are particularly affected by change. My research explores post 1960s artworks involving multimedia installations, film, performance, event, but also ephemera, foodstuff and games. I am interested in their material lives, their manufacture and media, creative processes, distribution, manipulation, 'afterlives' and musealization. I explore the reciprocal relation between materials and meanings and observe how the materiality of artworks is temporal and relational, linked with time and people, and just as well with their exhibition, curation and conservation cultures. My thinking, teaching, and research have been inspired by a long-term engagement with conservation of contemporary art and media in large museum institutions and private collections. The recent research projects are a study of the aspects of time, identity and changeability in artworks by the Korean artist Nam June Paik (Re:Paik), a project engaging with the Intermedia legacy of Fluxus movement in Europe and America (Fluxus Matters) and the BGC Andrew W. Mellon Cultures of Conservation project.

ude.drab.cgb|regnilreb.elleirbag#regnilreB .A elleirbaG

Former Andrew W. Mellon Postdoctoral Fellow, Cultures of Conservation
Ph.D. Folklore, Indiana University
M.A. Indiana University
B.A. Anthropology, University of Pennsylvania

As a folklorist and ethnologist, I draw upon the arts, humanities, and social sciences to study creative expression in everyday life. Within material culture studies, my work focuses on the nature and significance of vernacular architecture. I examine how the construction, interpretation, and use of ordinary structures and landscapes express their creators' histories, social practices, cultural customs and beliefs. My dissertation is an ethnographic study of the temporary ritual dwellings built for the annual Jewish festival of Sukkot. Based in a multi-ethnic, working-class neighborhood of South Tel Aviv, Israel, I examined the intersection of vernacular religious and architectural practices in a dense urban environment being challenged by socio-economic changes. Currently, I am conducting a collaborative, ethnographic project with the Lower East Side Tenement Museum to document the conservation process of the Museum's 19th century tenement building—a study that brings together historic preservation, immigrant social history, and museum anthropology.